The unexpected from Ono and McCartney

By |2013-08-14T04:02:20-07:00March 27, 2012|Paul McCartney, Yoko Ono|

NANCY CARR • I think Michael’s comments on the previous post about Paul McCartney’s seeking to entertain an audience, while Yoko Ono seeks to instruct one, are right on the mark and help clarify why people frequently can’t stand one or the other of them. What I find interesting about their respective tendencies is that both do their best work  (in my opinion, of course) when they ease off those attitudes. When McCartney worries less about whether people will like what he does, and when Ono expresses her musical gifts without apparent concern for whether the results sound explicitly experimental, they sound [...]

Don’t judge by its disturbing cover . . .

By |2014-12-07T14:22:48-08:00March 3, 2012|John Lennon, Paul McCartney|

“Lennon and McCartney: Together Alone” (2007) is an in-depth look at the solo careers of both men that is comprehensive, well-written and illustrated, and refreshingly free of bias. It’s changed the way I think about some of Lennon's and McCartney's solo music. For example, I’ll never hear “Watching the Wheels” the same way again. I can hardly stand to read anything biographical about either Lennon or McCartney anymore, since so many writers moved to compose book-length works on them are grinding an ax of some variety. Reading John Blaney’s book was, for me, like opening a window and letting welcome fresh air [...]

McCartney sings the standards

By |2013-08-14T04:19:46-07:00February 2, 2012|Paul McCartney|

You can listen to Paul McCartney's new album, "Kisses on the Bottom," free for a limited time here: http://www.npr.org/series/98679384/first-listen I was skeptical when I learned McCartney was planning an album of covers, and when I heard the title, I did a facepalm. But after an initial listen, I'm liking it much more than I thought I would. Take a listen and see what you think!

McCartney as the Dickens of Rock

By |2013-10-15T15:19:03-07:00November 3, 2011|Paul McCartney, Wings|

Macca and Boz.NANCY CARR • If you've ever wondered why Paul McCartney writes story songs and loves performing, or why his sentimentality sometimes runs away with him, I hope you'll enjoy these ruminations on his links to a Victorian forebear. Looking at Paul McCartney’s personal and artistic similarities to Charles Dickens helps explain a lot of things. It illuminates why McCartney is hugely popular but often critically reviled, why he is driven to make money despite his great wealth, and why he tirelessly performs live. Most importantly, it brings his particular gifts into focus. Often McCartney is compared to John Lennon and criticized [...]

Ram’s Resurgence

By |2014-12-24T11:01:50-08:00June 21, 2011|Paul McCartney, Ram, solo|

[After the millionth insightful comment by our indefatigable Nancy, we asked her if there was anything Beatley burning a hole in her well-furnished brains. This is what she wrote; give her a warm Hey Dullblog welcome.--MG] NANCY CARR • When it was released in 1971, Ram was hated—really hated, to the point of practically being crushed and melted—by many rock critics. Rolling Stone’s Jon Landau inveighed against it as “the nadir in the decomposition of Sixties rock thus far,” calling it “incredibly inconsequential” and “monumentally irrelevant.” Robert Christgau was kinder, giving it a C+ and sniffing “If you’re going to be eccentric, [...]

Shenk on Lennon/McCartney

By |2014-12-23T18:58:16-08:00September 16, 2010|1965, John Lennon, Paul McCartney|

Lennon and McCartney by David Bailey, 1965. My favorite photo ever of John and Paul, taken by David "Blow Up" Bailey in January 1965. Speaks volumes. In analysis that is almost Dullbloggian in its grain of detail, Joshua Wolf Shenk addresses the Lennon/McCartney collaboration in this multi-part series in Slate. Take a look; if you're reading this blog, you'll really enjoy it. This article--part of a series on famous collaborations--was forwarded to me by my own dear collaborator Jonathan Schwarz. Jon and I wrote a bunch of humor back in the 90s. You can read Jon's own "Yesterday" (or "Help!" [...]

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