Smile vs. Sgt. Pepper

By |2013-08-13T22:15:47-07:00August 13, 2013|1967, Beach Boys, Psychedelia, Sgt. Pepper|

  The Boys away from the beach, 1967 NANCY CARR • I love the Beach Boys (not the way I love the Beatles, but still), so why can’t I wholeheartedly love Smile? I ask this question sincerely. I think Brian Wilson is a songwriter, singer, and bassist worthy of great praise. I understand why Paul McCartney was so blown away by Pet Sounds that he dreamed up the idea for Sgt. Pepper’s Lonely Hearts Club Band. I'm glad Smile has finally seen the official light of day, and I'm intrigued by the what-if game of wondering about what might have [...]

Just how blind was John Lennon without his glasses?

By |2019-05-22T23:48:25-07:00August 6, 2013|1963, John Lennon|

Lennon peers down uncertainly at a 45. So we've all heard how John Lennon without his glasses moved around in the land of Monet—how his famous tough-looking stage persona was actually him peering nearsightedly into the crowd, hoping he'd see the incoming bottle or fist just in time to avoid it—but this photograph made me smile. Beatle John blinks down at that thing like he's 85. "Is this bloody 'Watch Your Step'?" A slight disability like that (perhaps the disability is being too vain to wear your specs!) often pushes people into their imagination. From there, it's a short step [...]

Plea to Paul: Let it be when it comes to claiming credit

By |2013-08-03T03:02:15-07:00July 29, 2013|1967, John Lennon, Paul McCartney|

Last Thursday Rolling Stone online published an interview with Paul McCartney about his current tour. It sounds like a stellar show—I’m sorry I haven’t been able to see it this year—but I groaned when I got to the part of the interview in which McCartney says, of adding “Being for the Benefit of Mr. Kite!” to the setlist, that he was “happy to kind of reclaim it as partially mine.” I just want to say to him: please don’t keep pouring kerosene on those embers. Please step back and let that frustration go, because you’re fueling the dynamic that seems to keep you feeling insecure. Here’s [...]

Experiment: Two Words

By |2013-07-31T03:21:51-07:00July 27, 2013|1968, George, George Harrison|

George Harrison, 1968 GEORGE HARRISON: I wrote "While My Guitar Gently Weeps" at my mother's house in Warrington. I was thinking about the Chinese I Ching, the Book of Changes...the Eastern concept is that whatever happens is all meant to be, and that there's no such thing as coincidence—every little item that's going down has a purpose. "While My Guitar Gently Weeps" was a simple study based on that theory. I decided to write a song based on the first thing I saw upon opening any book—as it would be relative to that moment, at that time. I picked up [...]

Psychedelia in the UK: "A Technicolor Dream"

By |2013-08-12T18:01:53-07:00July 23, 2013|1965, 1966, 1967, Documentaries, John Lennon, Paul McCartney, Sgt. Pepper|

Inside the "Ally Pally," for The 14-Hour Technicolor Dream, 1967 Any of you that have been interested by my burblings on "psychedelia"—by which I mean the whole gestation, birth and decay of the flower-power movement—will be interested in a video I streamed from Netflix last night: "A Technicolor Dream." It documents the UK scene: the Albert Hall poetry reading in 1965; the Indica bookstore; IT; The London Free School; UFO; and finally the Fourteen Hour Technicolor Dream on April 30, 1967. Lots of Beatles-related stuff in here, from McCartney's right-hand Miles, to footage of a very stoned John Lennon. Here's [...]

Book Review: “Beatles vs. Stones”

By |2016-12-01T17:40:34-08:00July 22, 2013|1968, Beatles vs. Stones, biography, books|

Beatles vs. Stones by John McMillian 288 pp. Simon & Schuster, 2013 Reviewed by Devin McKinney A character in Jonathan Lethem’s novel The Fortress of Solitude claims that every small-group dynamic found in fiction or in life is comprehensible via the Beatles model of organizational relationships: “The Beatles thing is an archetype, it’s like the basic human formation. Everything naturally forms into a Beatles, people can’t help it.” He illustrates this theory by applying it, convincingly, to Star Wars and The Tonight Show. (For the record, the archetypal roles—or “four sides of the circle,” as the title of a Beatles bootleg once [...]

POV

By |2013-07-28T00:12:31-07:00July 19, 2013|1967, Sgt. Pepper|

From Dullblogger Hua: "She's Leaving Home" from the perspective of a girl leaving home. (Anyone know anything about Kathy McCord?) http://youtu.be/ETiDNME4tMA

Oh for God’s sake–

By |2014-07-23T11:56:41-07:00July 2, 2013|1967, Revolver, Sgt. Pepper|

No Sgt Pepper? Did they put stupid in the water of Williamsburg? Okay, today I had the kind of experience the internet is made for. I was sitting in my doctor's office reading Entertainment Weekly and—look, I know that if I'm reading EW, I get what I deserve. I suppose I am showing my age, expecting a magazine to be not-idiotic because it's on paper, but still: there I was reading EW's list of the Top 100 LPs of All Time and Revolver is #1, and White is #12, and Abbey Road is #22 and Rubber Soul is #65 or [...]

Movie Poster of the Week: NVUJ!

By |2014-07-23T11:56:48-07:00June 25, 2013|1965, Help|

Help poster from Japan! Apparently that genial hot mess Help! is coming out on Blu-Ray next week. While looking for illustrators this evening I found a nice round-up of the various posters for the film. These two are just a sample if the many HELP posters; if you like graphic design, it's definitely worth a look. Help poster from France! Really, guys, none of these posters are necessary. You had me at Eleanor Bron. :-)

Which Beatles album is actually their last?

By |2013-08-03T04:37:33-07:00June 22, 2013|1969, 1970, Abbey Road, Let It Be, Uncategorized|

Bare feet, ouch! Paul suffers for his art. Rob Sheffield in Rolling Stone: So let's argue: Which album truly counts as the grand finale? The case for Let It Be: It came out in 1970, which was after 1969. The case for Abbey Road: (1) virtually all of Let It Be was in the can before the Abbey Road sessions even began; (2) Abbey Road feels more like a classic Beatles record; (3) "I Want You (She's So Heavy)" was the last time all four played in the studio together; (4) the last song on Abbey Road is called "The End"; (5) except for "Her Majesty"; (6) rebounding from the Let [...]

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